My introduction to the work of Rafael Rondeau and Maria Rondeau occurred last summer in Close Distance—a terrific group exhibition highlighting six emerging Boston-area Latino artists. That summer at the Mills Gallery, we saw videos that explored architecture and its ability to frame our experience of place. Once again, this brother and sister duo have collaborated on two separate, experimental video installations that explore the synthesis between the intimate and the public, by engaging structure, image and sound.
Maria, a practicing architect and artist and Rafael, a violinist and composer—have furthered their work with Eso Eres and Marea, two non-narrative, fully immersive works that re-examine and question the spaces we inhabit.
Eso Eres, is projected on a suspended light screen with a reflective mylar background set five feet away from the wall. The video captures a man running along a linear path, but instead of seeing the man’s entire body, we only see his face–an attempt on behalf of the artists to locate a visage as a “place.”
Marea, the longest and most immersive of the two videos captures a social encounter—a man sitting at a table in what appears to be an outdoor restaurant overlooking one of New York City’s neighborhoods. Projected on two elongated screens that trace the perimeter of a table—the video holds both foreground and background in focus, creating a sweeping and fluid movement that wraps around the viewer—who is encouraged to weave in and out of both installations. The sound, conceived by Rafael not only considers the spaces projected in these two installations, but also the gallery space where these works are shown.
From the sound of a string quartet—composed and performed by Rafael—to the hustle and bustle of a rural market in Guatemala—to the murmured prayers of women at a pre-Colonial church, Marea takes you on journeys near and far in the span of 10 minutes. The images and sounds in these two videos often collide with one another to awaken and alter our senses, prompting us to reconsider the spaces we experience on a daily basis.
Eso Eres/Marea is on view until March 02, 2012 at La Galeria at the Villa Victoria Center for the Arts in the South End.