A pioneer in the Land Art movement (and art world hero of mine), Nancy Holt is the subject of a retrospective at the Tufts University Art Gallery which opened on January 19th. A Worcester, Massachusetts native and Tufts graduate (Class of 1960), for the past forty-five years, Holt has created land and site-specific sculptures that explore the summer and winter solstices and sun and moonlight patterns–transforming sculpture into “live experiential instruments.”
On Tuesday January 24, 2012, Nancy Holt talked about her inspiring career as an artist, her process and challenges behind her work. I share some of her thoughts:
Sun Tunnels (1973-1976), Lucin, Utah. Photo by Sean Baron, The University of Utah – College of Architecture and Planning
I work with a lot of artisans and crafts people and is very important to me the relationship that I have with those people—and is an opportunity for them to have their work appreciated in and of itself.
In reference to Star-Crossed (1979–81) at Miami University, Oxford, Ohio:
Star Crossed, Miami University, Oxford, OH. Photo: The Ohio Outdoor Sculpture Inventory
I’d like to say I think the moon looks better in the pool, so I would say that art improves on nature.
On the passage of time and her work:
I now know more about what happens to my works now through the internet. I get the news items about what’s going on—of people who were at Sun Tunnels…
In reference to Solar Rotary (1995) at University of South Florida, Tampa Campus:
I love seeing my work in different seasons, with snow on them and in this case—I love seeing it with the rain.
On her process:
I didn’t know what process was. All I can say is that certain things inspire me and they live within me and they lead to action later on. It leads to fruition. You never know how it’s going to manifest.