In Boston, there are two buildings that tell the greatest success story of all: The Achmuty “Dainty Dot” Building in Chinatown/Leather District and the former Shreve, Crump and Low Building in the Back Bay. The stories, aspirations, goals and dreams of those who commissioned, designed and built these structures, as well as the workers who experienced their interiors, are all reflected in the exquisite details of these buildings.
The “Dainty Dot” Building takes it name from its last occupant, the Dainty Dot Hosiery Company, however throughout its history, it has been the home to several of Boston’s textile companies. The physical scars of the Achmuty “Dainty Dot” Building tell the story of Boston in the 1960’s and the construction of the Central Artery Tunnel, a massive urban infrastructure project which demolished two of its façades. This handsome Romanesque Revival building tells the story of the rebuilding of Boston after the devastating fire of 1872, which destroyed a large section of downtown Boston. The “Dainty Dot” also tells the story of Winslow and Wetherell, one of the largest architectural firms of the time whose works reflected the influence of Henry Hobson Richardson, in particular the bold Romanesque arches and nature inspired architectural decoration. Last but not least, the building also tells the story those immigrants who worked long arduous hours in hopes of claiming a piece of the “American Dream”.
The “American Dream” also plays a role in the development of architecture in Boston, especially in the former Shreve, Crump and Low building in the Back Bay. The story of one of Boston’s most celebrated Art Deco buildings is told through its highly ornate façade, designed in 1929-1930 by William T. Aldrich, a classically trained architect at the Ecole des Beaux Arts in Paris and the Massachusetts Institute of Technology. An outstanding example of Art Deco in Boston, its façade incorporates Art Deco and Neoclassical motifs in the form of half shells, flowers, leaves and knot designs. These details allude to the history of America’s oldest jewelry company. The building also tells the story of countless men and women who have created memories and special moments with the purchase of a piece of jewelry from this prestigious firm.
Another common thread that these two buildings share is the threat of demolition, which will silence and erase their stories and rich contribution to Boston’s urban fabric. The Achmuty “Dainty Dot” Building and the former Shreve, Crump and Low Building are both slated for demolition in spite of the efforts of preservationists and citizens who fought a tireless battle to designate these two structures as Boston Landmarks. The petitions to designate such buildings as landmarks were denied but thanks to the worsening economy, further plans for demolition have been put on hold, allowing their stories to continue to be told.
 Robert B. MacKay, Long Island Country Houses and their Architects, 1860-1940 (New York: W.W. Norton and Company 1997) 48