Before attending last night’s performance of Laurie Anderson’s Delusion, I knew very little of Anderson’s craft. However, because most of the time I am surrounded by artists and other creative types, it only took one friend to get me beyond excited for what I was about to experience at the Paramount Theater.
Laurie Anderson is considered a legend in the performing art world. Known for her multimedia presentations and innovative use of technology in art, theater and experimental music, Anderson’s latest solo performance Delusion allows for one beautiful and mesmerizing journey that sticks with you hours after experiencing it.
If you’re wondering what Delusion is, “Delusion is a mediation on life and language,” a meditation enhanced by the violin, electronic puppetry, music and on screen visuals.
The performance lasts 90 minutes which may be among the best 90 minutes of your life. There were moments that took my breath away and moments that made place many things into perspective. There was a moment in the performance that reminded me of the visuals of Terrence Malick, in particular his shots of grass and wheat. Re-visiting familiar territory (which for me was the moment Malick’s stunning grass visuals were referenced by Anderson) is part of Delusion.
A fantastic exhibition curated by Hou Hanru for the Walter and McBean Galleries at the San Francisco Art Institute is currently up at MassArt. Shahzia Sikander: The Exploding Company Man and Other Abstractions (September 19 – November 26) gathers five of Sikander’s most recent animated videos along with paintings and drawings to create an explosion of sumptuous imagery, color and sound. I loved this exhibition so much I cannot wait to return to the gallery and see each video again and again.
With a BFA from the National College of Arts in Lahore, Pakistan and an MFA from the Rhode Island School of Design, Shahzia Sikander explores the British colonialism of the subcontinent, the British opium trade with China, military rhetoric, news media, identity and other contemporary issues through an aesthetics that draws primarily from Indo-Persian miniature paintings. This exhibition is a feast for the senses and is not to be missed. This show has received glowing reviews all across the board; won’t you go see it for yourself? It’s TERRIFIC!
There will be an artist talk on Monday October 3, 5:30PM in the tower auditorium and an opening reception at 6:30PM in the Bakalar Gallery. A musical performance by Du Yun (her collaboration with Sikander can be seen in “Gossamer” also in the exhibition) is scheduled for 7:00PM.
As an urban dweller, there are many things that make me happy to live in a city. One of those many things is being able to talk to people tending their plots in community gardens. According to the Boston Natural Areas Network, there are nearly 200 community and school gardens in the City of Boston and its surrounding towns. These gardens are cared for by more than 10,000 urbanites working towards making Boston a more sustainable, healthier and greener city.
Empty, unattended land parcels are eye sores in many of the poorest neighborhoods of Boston.
These empty sites are uninspiring and promote among many other things, blight. In contrast, community gardens promote safe and healthy communities, they nurture good neighbor relationships, promote exercise, healthy eating habits, and many other benefits.
Bostonians are eager to make this city an even more awesome one, one community garden at a time. Are city planning officials listening to the people?